Sunday, May 23, 2010

Am I still in one piece?

Holly cow! I'm still in one piece. I made it through. The sister enjoyed the concert. I nearly, well I cried more than once. Kept it quiet and short, but I did cry. Gave my mother a piece of music too, since she's turning 60. (Was a last minute idea. But the right piece was on the program anyway.) It wasn't perfect, of course, as such performances never are, but it was fun, lighthearted, and everyone seemed to have had a good time. It seems that there is now a bit more new music floating around out there. I'll try to post some video or audio soon.

Wednesday, May 19, 2010

And for once a good note amid the clinkers

We had our first rehearsal tonight. It went . . . all right. Better than I should expect given that I'm not yet very good at budgeting time for these shindigs. We made it through the ballet in spite of missing instruments. (We had one horn tonight, no bassoons, little low brass, and only timpani from a rather involved percussion section.) We even hit most of the symphony. Granted that in a nearly three hour rehearsal we hit only four fifths of the music from a two hour show. But we'll get there.

There were some sour notes. There were some missed cues. People (including but not limited to me) sometimes got lost in the woods. But we made it out. And we will make it Saturday. I could tell it was a piece I wrote. It looked and sounded like an orchestra. Which is scary good wonderful.

The hall is cozy. It's bright. Everyone there was kind and inviting. We will all fit. Somehow, with the help of good friends, I got a piano, four timpani, nearly thirty music stands, a bass drum, and an easy chair for the guest of honor to the hall. (She has a hard time sitting for two hours in her wheel chair. The easy chair should be better.) More instruments are yet to come, but it will happen. I believe that now. It's a very good feeling. Hopefully there will even be a recording that's not too horrible.

Thank you all for your kind words and support.

Friday, May 14, 2010

Further concert drama

So this concert thing. I grant that I'm a foolish bitch for trying to put together a concert. Arrogant, self-centered jerk of a guy. No doubt. There's no question that my music is unworthy of public performance. That I can't write for horns (already knew that) and that nobody writes symphonies anymore. String instruments are declasse. Classical music is dead. Orchestras are a historical artifact. Audiences are uninterested in new music.

Yep. I know all of that. Every bit.

Not going to try to compete with Beethoven. He's better than me. I like the guy. Not even trying.

But see? My sister is dieing of cancer. It's real honest to god killer nasty brain cancer. Not the play kind. This is for keeps. And well, I'm a poor starving artist who thought that maybe teaching people that Beethoven really is a god might save the world somehow. Seriously. I believed that. So I went back to school. And started starving more. And along the way I learned to write music.


But still . . .

So what do I have to give my sister?

Money? . . . Ah . . . nope.

Stuff? . . . Nope again.

A cure for cancer? . . . Lord but do I wish I had that one.

But I do have symphonies. And a ballet. So I'm giving her a ballet. It's neat. Its fun. And people (real ones, on this very site) like it. To that end I've found musician friends. Still not quite as many as I'm hoping for, but quite a lot more than I feared. Enough to put on a respectable show. More than you'll see in the pit at your average Broadway show, in fact. And of similar quality in many cases. Perfessionals. That know how to play their instruments. And I've begged a truck off a friend. And large unwieldy expensive instruments. And money. And photocopying. (Thousands of pages of that. No kidding.) Did I mention the money?

Way back in January when this was little more than a feasibility study of sorts I talked to some folks that have a hall. Rather a crucial part of this sort of a show. I said "Hey, I'm a disorganized newby. If there's a question I should ask and don't, please tell me. Here's the date I'm shooting for." And the facility director said, sure, you can use this hall. Got the date reserved. And I asked her if I could hold rehearsals in the hall or if I would need to go elsewhere. She said everything would probably be fine. Asked her how much it would cost. She gave me a price and said she needed to check it with the board. Told her how many musicians were coming. Mentioned large expensive instruments. She said no problem. You can put them here and pointed to a spot. I talked to her a couple of times later, going in to the hall, as e-mails kept falling into the void. (Or at least going unanswered.) She said the price was fine. In March I went in to try to pay it, she said come back later, no rush. Pay it after the show. Asked if the rehearsals would be okay. She said sure, no problem.

So I e-mailed musicians. Told them where we would meet and when. Begged and borrowed things. Generally arranged stuff.

Sent an e-mail regarding unloading and tuning of equipment and instruments.

Wednesday I got an e-mail saying she was resigning her position and needed me to confirm dates and times to pass along to the new person. And here's a contract for you to sign so it's all legit.

Okay. Sorry to see you go, but we all need a change sometimes. Sent an e-mail. Here's the rehearsals and the show. And of course I'll come a little early and leave a little late to set stuff up and tear it down for you to keep it out of your way. And by the way, did you get the e-mail about the loading tuning business? Will it work?

Called her yesterday morning just to check and to let her know I'd be by with the contract. She told me she hadn't gotten any of the e-mail ere my reply to her time enquiry, but said there was nothing at all going on that week so it should all be fine. Talked a bit about the health of said sister, which is, of course, deteriorating. Said I didn't even think she'd be able to make it anymore, but that I'd still tape it for her, since that's all I can do.

Went to print the contract and sign it and what do I find in my inbox?

. . .

Roughly: "Oh god this is ballooning into something much bigger than you said and there's nothing in it for the people that own the hall and I'm not going to be here and the new person won't be here until after you're gone and the board doesn't like this and your sister can't be here anyway you should just cancel!" This four days before the first rehearsal.

How does hell no and we had a deal strike you?

You're worried that your "legacy" in the hall might be negatively impacted. That people might not like you because this crazy musician guy is imposing too much on the hall. Well, who exactly was it that said all of this would be okay? I grant that you thought that my three hour rehearsals would be two hours long. Not sure where you got that idea. Certainly not from me, as I've e-mailed some fifty or a hundred people telling all of them they would be three hours. And why on god's green earth would you think that there wouldn't be set up and tear down time before and after when you yourself told me you would need things cleaned up between rehearsals? Okay, I suppose I might have mentioned that, but it didn't even occur to me as mention worthy. What part of "I'm a disorganized newby and I'm winging it because I've got no choice" escaped you? Why would you assume that a show involving three rehearsals and thirty musicians would be small and uncomplicated? I know you knew about the large expensive instruments. You told me where I could put them. Did you think they would simply materialize? That they would tune themselves? Heck, I asked you about the loading zone. About parking. About the bloody kitchen sink.







You fix them. This show will go on. You will not screw me just because you resigned quickly so you could start the new sexier job more quickly. It's not my problem. A deal is a deal. And as the experienced party getting paid it was and is your job to make sure you know what's going on with the client. If you can't keep track of your notes I can't help you. I've got literally a hundred e-mails to different people (I checked) all saying the same things. I've spoken to you in person four times. I've called you as many. I've e-mailed you quite a lot more. You never responded, but we always talked about the subjects over the phone or in person. I was never under the impression you hadn't gotten the e-mails. Maybe you might have asked.

Bah. Pay for your own bloody mistakes. If there is acrimony between you and the facility's board or permanent tenants that's the price you pay for your sexy new job. I have much bigger things to worry about. Like a sister who almost certainly won't see another birthday after this one. What part of death is forever don't you understand you damned idiot? I can't fix you. I can't fix your problem. Fix it your damn self.

The composer.

Addendum: No. I'm not pissed. Not at all. Why do you ask?

NB: It's not personal. I understand that you have your own life. I'm venting. If you don't like what I have to say or understand that I'm a little upset for good reason, go find your grown up pants. I trust you have some somewhere.

Friday, May 7, 2010

Okay universe, am I not busy enough for you?

You might recall that I'm organizing this concert thing. Perhaps as a way of dealing with some fairly heavy psychological shit that I'm going through. (Dieing sister, tempestuously altered 12 year relationship, that kind of stuff.) You can probably guess that finding thirty five of your very best skilled musician friends to help you with DOING SOMETHING ABOUT IT!!!! is kind of hard when you have perhaps two nearby friends, and neither of them play an instrument. You can probably guess that there are time consuming logistical considerations involved surrounding mundane things like what will people sit on and how exactly does one get a piano into an art gallery.

So maybe you can guess that I'm busy. Fielding some dozen or so complex e-mails lately on the average day. Calling people on the phone. Writing parts. (Did I mention writing parts?) And I do still have a job. And I do still have work to do to get ready for this myself. (Seeing as I have no conductor, aside from myself, which means I'm going to have to make sure I can give legible cues to the bass section.)

So what happens? Oh yeah, assorted and sundry of my friends decide to have mental breakdowns to add to mine. Guys, I'm just getting over my own. I cannot pick yours up and put it back together for you. Call a professional. I'm single, so please don't bitch to me about who doesn't love you and how few decent people there are out there. Suck it up, kids. My office is closed. I'm out to lunch. I'm not taking new clients right now. I'm very sorry.

Maybe this is the psychological addendum to the no more medical emergencies clause I wrote into the contract last year.


Your friendly neighborhood music therapist.